A few weeks ago some of us bloggers got together and decided to create a blog to discuss and present our opinions on a variety of pop culture topics. We’ve decided to call our group The Pop Culture Supreme Court and much like the real world counterpart we will use precedent, experience and opinion to reach group decisions.
The first question we have decided to discuss is the following: Should there be a moratorium on direct remakes in Hollywood?
Before jumping into an immediate opinion…something I find myself doing far too often in the real world…I tried to consider all sides of the question, the pros and cons as it were of film remakes in Hollywood.
There have been a lot of movie remakes in Hollywood going as far back as the silent era right on up to today; they’ve remade silents into talkies, classics into moderns and foreign cinema into big budget American popcorn flicks. In fact if Hollywood can get the rights to remake a film they’ve probably done it. Arts & Entertainment has an interesting piece on remakes, what qualifies as a remake and what does not.
John Houston one of American Cinema’s greatest filmmakers once said “Don't remake good movies, remake bad ones!" but was he right? Let’s explore the possible reasons why a remake should be made:
1. To improve upon the original.
Angela Coleman thinks the only time someone chooses to remake a movie is for lack of personal creativity but that said there have been many instances where a new take on old material has given us a great movie…King Kong, The Mummy, Freaky Friday. But for every good remake there are 4 or 5 bad ones…Planet of the Apes, War of the Worlds, The Texas Chainsaw Massacre, The Thomas Crown Affair… The Hutch Report has the theory that the “copy usually isn’t as good as the original and most of the time Hollywood remakes popular television shows and old movies because there is less risk of failure when a proven idea is recreated once again.” Perhaps that’s true and the recognition factor clearly had something to do with the movie’s success.
Of course there is something else to take into consideration when you are remaking an older film: society changes. People change as time does the same and ideals, perception, relationship roles and standards all change. Is a story from 40 years ago still relevant, does it translate to today? A good example of changing a film's story to match societal changes is the 1978 remake of 1956’s Invasion of the Body Snatchers, and then the 1993 remake just called Body Snatchers. All three movies changed their story and characters to make it relevant to the era’s current societal beliefs and problems. In 56 it was a communist allegory, in 78 it was an attack on the selfishness of the me generation and the 93 version focused on conformity and militarism. These are three films that did it right, there are many more that haven’t.
2. To see a new actor/ writer/ director’s take on pre-existing material.
On the surface of things this always seems like it will be a good idea to see a talented individual whom you appreciate take on pre-existing material but Kurt Russell had an interesting quote in Entertainment Weekly on the proposed Escape From New York remake “I didn’t play Snake Plissken. I created him!” and to me that is the final word on the matter. I don’t know of one instance where an actor was able to adequately recreate or rein vision a role enough to blow the original out of the water or even equal it. For example Gene Wilder will always trump Johnny Depp as Willy Wonka, Sean Bean is a great actor but how can he compete with the menacing Rutger Hauer in The Hitcher. So on and so forth…
3. To modernize the look of the film, add new effects, make the story more current.
asipreynccce Suggests that modern effects cannot create the same magic that the original held and I have to agree with that. Like any movie remake or no it comes down to the story not the effects. If you don’t have a good story then you don’t have a good movie. Would a CGI Kraken make Clash of the Titans any better a movie? Ultimately no.
4. To take a foreign film and explore how the story would unfold in our culture as opposed to theirs.
In theory taking a foreign movie and adapting it to American societal ideas is intriguing but rarely are English remakes of foreign films good movies. The Japanese cultural horror film Ringu became the fatuous and ridiculously boring The Ring. The riotous yet emotionally adult La Cage Au Folles became the over the top, silly and childish The Birdcage which scored a. The hilarious, again French, Les Visiteurs en Amérique with Jean Reno and Christian Clavier became the mediocre Just Visiting oddly enough it also starred Jean Reno and Christian Clavier; but even with the same actors in the leading roles this movie could not soar any higher than run of the mill comedy. Hollywood should just stay away from foreign remakes.
So taking the previous statements into consideration I would say yes there should be a short moratorium on direct Hollywood remakes, The Moratorium Would even take that further saying lat out says Hollywood should take a 20 year break from remakes. “Walk into any bookstore and you could spend a life time going thru all the DIFFERENT stories. Why are they not adapting more books into movies? I’ll tell you why. LAZY. Why should I go thru the hassle when I can just take some funny 70’s movie and just throw some big stars in it and be done with it? ”
Ultimately the few entertaining remakes that we enjoy do not justify the mountain of terrible ones that torture us and I would say that most of my fellow bloggers agree with me.
To find out what my fellow Pop Culture Supreme Court has to say on the topic please visit their blogs.
or visit the main site here
For more on remakes visit Movie Remakes a website dedicated to movie remakes of all types good and bad.